Edward Hopper Style Essay Example | Topics and Well Written Essays - 4000 words

Edward Hopper Style - Essay workoutThe essay Edward Hopper Style discovers the application of Edward Hoppers painting style to digital render manipulation. It was a time in which the people of France were attempting to gain a better lifestyle for themselves by demanding rights for the honey oil man as had been accomplished in America less than a generation earlier. In attempting to accurately reflect life in all of its objective detail, French artists adopting a Realist approach worked to find the closely common examples of French life. They sought the people of the fields and villages and then depicted them in their most minuscule and mundane activities. The major ideas that fueled French realism are discussed within the writings of two various but influential artists of the period, Gustave Courbet and Ferdnand Leger. Only by understanding the principles of realism as they were developed in this initiative wave of artistic endeavor can one can begin to understand how they app lied to the manhood of America as it emerged from the bloodiest war fought on American soil and became the hallmark of one of Americas favorite artists, Edward Hopper. French artist Gustave Courbet (1819-1877) asserted that painting is an essentially concrete art and can wholly consist in the representation of real and existing things. In his art and in his philosophy, Courbets chief(prenominal) technical concern seems to be an abandonment of the rules of art, at least to round degree, in favor of a more natural flow in both line and form. Courbet felt such rough elements.... In his art and in his philosophy, Courbets chief technical concern seems to be an abandonment of the rules of art, at least to some degree, in favor of a more natural flow in both line and form. Courbet felt such rough elements of the painting were more accurate in attempting to represent the moment as it existed as well as the emotion of the moment in which the piece was created or the scene was witnessed . His close connectedness with the realism of life as it was experienced by the humble peasantry as well as in his admit careful observation of it helped Courbet develop a more intense identification with his subject. By 1850, his ideas regarding what was real in the world and in art were becoming more defined. This is clear in a letter he wrote to a friend, in our so very civilized society it is necessary for me to live the life of a savage. I must be free even of governments. The people have my sympathies, I must wield myself to them directly (cited in Insecula, 2008). Within the philosophy of his Realist Manifesto, Courbet states the goal of Realist art is to translate the customs, the ideas, the appearance of my epoch harmonize to my own estimation (cited in Finnochio, 2004). Within this approach, it is clear that Courbet held a concept of the real that was based closely exclusively upon the previously unrepresented classes of society and their unreported and unknown daily experiences. Approaching art from this perspective, though, Courbet was equally abominable of do decisions regarding what to paint based upon his own inner conceptions of what was common and unrepresented. As a result, he was essentially making up his own definition of society and presenting this