Annie Dillards Pilgrim at Tinker Creek Essay -- Annie Dillard Pilgrim

Annie Dillards Pilgrim at monkey Creek Annie Dillard opens Pilgrim at Tinker Creek mysteriously, hinting at an unnamed presence. She toys with the longstanding epic images of battlefields and oracles, injecting an air of sanctitude and awe into the otherwise ordinary. In language more poetic than prosaic, she sings the elegant into the mundane. She deifies common and trivial findings. She extracts the most high language from any the doable permutations of words to elevate and exalt the normal. Under her pen, her literary devices and her metaphors, a backyard stream becomes a shrine. Writing a prayer, Dillard becomes an instrument through which a omnipresent spirit reveals itself. Yet in other cases, she latches on to an image of pietism and makes it ugly, horrifying, disturbing, as if to suggest that the manifestation of all that is holy need non always be pretty, that the gorgeous and the gruesome together comprise all that is holy, and without one the other would be me aningless. The written words are a spiritual pilgrimage to the holy shrine where language tinkers with itself, makes a medical specialty unto itself, chips and shapes itself into the stuff of Dillards essays.Religious overtones score the text, emerging as references to Islam, Hasidism, and to a lesser extent, Christianity there are also subtle intimations of mysticism. Dillard plucks the title of the first essay, nirvana and Earth in Jest, from the Quran, quoting Allah directly. Describing the darkness capping the ocean as a swaddling stripe for the sea (7), a repeated phrase, her diction implies the Christ child. She makes a forcefulness evident without ever saying so aloud, explicitly, by naming it. By means of archaic phrasing, she conveys the sense that what ... ...(82). She defines innocence as the spirits unself-conscious state at any moment of pure devotion to any object. It is at erstwhile a receptiveness and total concentration (82), combining the lexicon of religion and hidden journey to elucidate how awareness and knowledge can integrate with receptivity to fulfill the state of innocence. McIlroy understands her pages of scientific and mystical experience in a two-dimensional way, leaving unturned the third dimension where a apparent dichotomy merges and seams together opposites in a contiguous loop designed to illustrate a coherent and encompassing exploration of the outer institution of the creek and the inner world of the mind.Works CitedDillard, Annie. Pilgrim at Tinker Creek. rising York Quality Paperback, 1974.McIlroy, Gary. Pilgrim at Tinker Creek and the Burden of Science. American literary works 59 (1987) 71-84.